The Sport Lisboa e Benfica Documentation and Information Centre organises the webinar "Conversations between
Archives: Corporate Archives", which aims to address the archival document as a starting point for the creation
of a product. We want to provide the sharing of working experiences between corporate archives and the way they
value the documental collection of their institutions, as well as to make known the challenges they face and the
opportunities that have been emerging.
Themes explored:
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The characterisation of the collection;
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The way the documentation is organised;
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The type of storage adopted;
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The forms of dissemination and, in particular, how to communicate a private and corporate archive.
Programme
Vista Alegre Museum | "The Factory of Vista Alegre. The Museum as a place of memory preservation"
Filipa Quatorze
She graduated in history at the Faculty of Arts, University of Coimbra and completed a post-graduate degree in
museology and cultural heritage at the Faculty of Arts, University of Porto in 2004. She has been coordinator of
the Vista Alegre Museum since 2005 and has developed work in the area of management and interpretation of
collections. In 2011 she completed a Master of Arts in Interpretation, Representation and Heritage at the
University of Leicester, UK.
Sumol+Compal | "Sumol+Compal: collections and archives of industry, brands, and people"
Daniela Salazar
Manager of cultural and creative projects, museologist and independent curator. Researcher at the AHI - Art
History Institute of the NOVA University Lisbon. She has a degree in history, a master's degree in museology and
a PhD in artistic studies.
Ana Coelho
Sustainability manager of SUMOL+COMPAL. She has worked in the industrial management area of the Sumol Group
since 1985. She has a degree in chemical engineering from the Lisbon Higher Institute of Engineering.
Museu da TAP | "TAP É Portugal. A preservar a história da Companhia Aérea de Bandeira do País"
Alexandra Martins
She’s 52 years old and works for TAP Air Portugal for more than 30 years, most of the time in the airline's
communication departments. She has a degree in sociology and has joined the the TAP Museum since August 2018.
Bordalo Pinheiro Museum | "Documentation of collections. The biography of an object"
Cláudia Freire
Her studies include social anthropology (ISCTE, University Institute of Lisbon), museology and heritage (Faculty
of Social and Human Sciences – NOVA University Lisbon), photography, video, and multimedia (CENJOR, Lisbon). She
has worked with Portuguese museums since 1993: Study of Ethnographic Collections of Local Museums (Caminus
Association, 1993-1997); she was part of the founding team of the Portuguese Museum Network (2000-2012), with
the following main responsibilities: technical support, accreditation of museums and the Network Museums
Bulletin. She has participated in research projects in the municipalities of Paredes de Coura (exhibition),
Odemira and Idanha-a-Nova (documentaries). Since August 2016, she has been working at the Bordalo Pinheiro
Museum in the areas of museology and documentation: management of the documentation system, library, collection
and online catalogue, research support, exhibition "A Dream. Bordalo and the Faience Factory", design and
production of multimedia content for the website and Google Arts & Culture.
Luísa Fernandes
In 2014 she completed the master’s degree in Conservation and Restoration, with a specialisation in contemporary
art documentation, at the NOVA School of Science and Technology - NOVA University Lisbon. She did a one-month
internship in the Storage, Conservation and Restoration department of Sport Lisboa e Benfica, in the summer of
2011. After finishing her degree, she started working at the Museu da Marioneta (Puppet Museum), moving to the
Bordalo Pinheiro Museum in March 2021. She works, essentially, in the organisation of the collection, storage
and updating the records of the pieces in storage, preparing packaging for transportation and supporting the
setting up of exhibitions, as well as carrying out small interventions (cleaning and consolidating) on ceramic
pieces and graphic documents, which are the main materials of the pieces in the Museum's collection.
